The Best Part of Work 2 of 2

All businesses have certain criteria and filters they put on their work.

At Backbone, our criteria boils down to if we believe in the brand.

Taking this beyond the work environment we can see how ‘believing in the brand’  manifests itself on a recent personal trip to Antarctica to climb Vinson Massif with friends Linden and Slinger.  Expecting cold temps between 0 centigrade and -40C it was pretty reassuring to be able to rely on client’s products for protection from the elements.

So, how do you pack for a few weeks vacation on Antarctic ice? Here’s a selection of some client and non-client products that went down south.

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Russian Ilyushin 76 cargo plane on the blue ice runway at Union Glacier

Travel

Stio Rivet jeans and Otto Shirt

BD  Post Op Hoody and Mission belt

BD speed pack  – for laptop to ski touring pack

Lululemon Metal Vent Tech LS and Hoody

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Lindon Mallory on the Twin Otter flying from Union Glacier into Vinson Basecamp

Core & Insulation

SmartWool NTS Lite  Baselayers – I’m a big fan of boot top 3/4 length bottoms as they alleviate bunching up of too many layer and boots

Polartec CoEfficient Hoody and Polartec Powerstretch tight – lightweight and warm

BD Stance Belay Pants

First Ascent MicroTerm jacket – lightweight and fitted to layer under jackets

BD Cold Forge Parka & Stance Belay Parkas – double down on the down

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Slinger and Linden looking out from high camp

Hands, head and feet

Gloves – BD digital liner, Rambla, Guide gloves and Absolute mitt. Both Slinger and Linden used thr First Ascent Guide glove extensively.

Headwear – Kask Headband – assorted Buffs (TGR and Strafe) – old Patagonia Highloft shell hat, BD Balaclava and Cloudveil 4 Shadows Beanie. Regulating your body temp starts with your head

POC Iris goggles and Jeremy Jones Signature glacier glasses. Spare glasses were Revo Guide glasses

Thermacell Heated footbeds – remote control heat at the touch of a button. Great in climbing/ski boots and around camp

La Sportiva Olympus Mons  – these things are MONEY

BD Sabretooth crampons – probably the best all around crampon ever made

BD Quadrant ski boots with Intuition liners

Forty Below neoprene overboots (for ski boots and around camp)

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Windy, cold conditions on the fixed lines

Outerwear

BD Vapor Point Shell

Stio Hardscrabble soft shell pant

Old School Marmot 8000 meter down pant  – yup, the old yellow and red ones

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Linden descending from high camp

 

Hardware

BD Carbon Aspect Ski

BD Ascension skins – dependability is king

BD Whippet, Raven Ultra ice axe and Expedition 2 ski pole. The Whippet is more versatile and handy than an ice axe much of the time

Assorted locking biners – (I went with a Magnetron Vaporlock which is super great with gloves/mitts on), wiregates (larger body types like the Hotwire is better), ATC, Express Turbo ice screw, prussiks, Tiblocs and 1 ascender, SMC pickets

BD Saw and Deploy Shovel

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Lunch stop on the glacier

Nutrition

Penn’s special gorp – mix of shelled pistachios and chocolate covered espresso beans (protein, anti oxidants and caffeine)

Mix of cheeses, salami, proscuitto, crackers

Dinty Moores, Ramen, and Tasty Bites. Real bacon and burgers at basecamp.

Couple of boxes of wine, a flask of Genepi.

Assortment of Honey Stinger waffles and chews, GU and Chomps and Voke Energy Tabs. CLIF bars and Snickers

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Reflecting on the summit

Sleeping and accessories

Big Agnes Doubletrack insulated pad – the pad is key to warm and comfy sleep

Big Agnes girdle – turns any stuff sack into a compression stuff sack.

Alps foam matt

Old school Feathered Friends overstuffed -40 bag – I have an extra long to stuff in liners, gloves and pee bottle.

MSR XGK stoves

Klean Kanteen insulated thermos waterbottles X2

GoalZero Solar Chargers. You can also contact solar panel cleaning Las Vegas for mass cleaning services.

Lumix DMC – Gm1 – compact interchangeable lens with a 12-32 and 40 – 200 lenses. Great small camera.

BD Mission 75 backpack

Journal, Team mascot Paco the penguin. Paco summitted with us then hung on our Christmas tree and now lives in my 7 year old’s room.

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Descending

Stuff I did not bring but my partners did and I was jealous

Gregory Makalu Pro Backpack  – my buddy Linden Mallory has guided all over the world with this pack. It has seen a lot of time and is a classic Gregory pack

Sea to Summit – Padded Soft Cell for electronics and Aeros Pillow Premium. Apparently Slinger now sleeps with his pillow at home

Coal Freya neck gaiter – super warm, wooly gaiter.

 

 

 

 

 

 

True Innovation + Macro Relevance = ???

PR folks have a serious weakness for superlatives.

This new widget is the lightest, fastest, bestest (this truthfully is a word. A super superlative the best of the best!). It is quite silly, really. We’ve joked in our office of creating a new product release template structured in a Mad Libs format to fill in the superlative gaps for a press release.

Yet there also lurks true awesomeness (also a rarely used word defined as: an unmeasurable amount of awesomenimity). Smart people are creating solutions to problems and true innovation occurs everyday. What is ideal is when the innovation or launch of a new product or company correlates with trends that have macro or societal relevance.

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Which brings us to AvaTech.  Avatech is a start up that came out of MIT. The Founder and CEO, Brint Markle, had a close friend get caught in a slide (he survived). In processing the situation Brint observed that all avy gear is basioally triage based, and reactive technology. Thus, AvaTech was founded to design a solution that would give skiers and riders good data to facilitate better decision making and avoid getting caught in an avalanche before it happens.

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AvaTech is a proactive solution that quickly and accurately analyzes snowpack and facilitates real-time sharing. Backbone helped launch AvaTech to the media a few weeks ago  – and the group  is quickly catching attention as it  attends the International Snow Science Workshop (ISSW) in Banff this week.

 

Why has the launch been successful? AvaTech is honestly innovative. Don’t take our superlative laden perspective for it, in a feature article released last week in The Avalanche Review (TAR) considered the leading publication for snow pros and patrollers, Jordy Hendrikx professor of snow science at Montana State says,” “Every so often, new technology comes along in an industry that’s not step change, but orders of magnitude. We’re seeing this with AvaTech today in our industry.”

In the first 5 days of launch, AvaTech received over 25,000 youtube views, organic sharing of the content on Facebook was exceptional, (over 400 shares) as was the coverage on OutsideOnline, Wildsnow, Powder, Backcountry, Freeskier, Transworld, Unofficial Networks, TGR, and TAR. Innovation helps, but an overarching macro trend focusing on safety not just in snow sports but in all gravirty sports in general comes into play as well. As the number of off piste skiers rises, so too does the need for safety products. We’ve seen this with helmets, body armor, as well as an emerging trend for safety products and protocol in the backcountry. The Black Diamond JetForce airbag is a great example. So, while AvaTech’s SP1 is not the lightest, fastest perhaps it is the bestest as it hits the sweet spot of a thoughtfully innovative product, which has been carefully developed and is poised for success and relevance with snow pros, and backcountry enthusiasts alike.

Look for out on the hill this winter!

 

 

 

 

 

 

 

 

 

 

 

 

 

Rebrand

The strength of our business has always been built on delivering results for our clients first. Sure, we invest in Backbone in a big way annually, but to be honest we have never made it priority #1 to promote ourselves or overly focus on our brand. To this point, it is far easier and more genuine to tell another brand’s story rather than focus on talking about oneself. This client centric approach has served us well. New business has always been driven by great word-of-mouth recommendations from our clients, our agency partners and our friends in the industry.

 

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However, 2014 marks a change. Our original logo designed in 1997, by our then shared-office graphic artist friends at Rainy Day Designs, has been a solid one for us. The history of the logo – a stylized yin of the Continental Divide, the backbone of the Rockies running through the heart of the state of Colorado, is being retired in favor of a more modern, bold mark with a hint of western design.

 

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If you have ever run a new logo/design process it can be PAINFUL. It took over a year and we mangled more than one design team relationship. Internally, it was near contentious at times, bordering on combative and hilarity. Funny, because at first blush most people seem to care little about a logo or fonts, but if you dig just a bit deeper – oh, it gets real. As always, we persevered, trusted the process and each other and now are happy. For ideas on logo design and guidance check this.

You may notice the B’s have a peaked center that represent the twin summits of Mount Sopris, the noble peak that sits above Carbondale. The new Backbone logo is  bold, clean and strong. I won’t get into some of the descriptors given about how the line below represents a continuum and progress in a static form. I mean, some of the stuff our graphic artist pals spun makes even the most flowery PR language look pretty tame.

Big call out to Fred Hammerquist and his team for helping shepard us through this process. We like Fred. We collaborate together on a few brands. Rumor has it when the snow is deep he skis on Megawatts. Thanks to Fred and his team.

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Onward!

 

 

 

6 Best Practices for Programmatic Advertising

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By: David DeMartini

There are few locations within the world of digital media that can rival the reputation of San Francisco and Silicon Valley. Last month, Backbone was invited to attend a client immersion day hosted by Rocket Fuel, a programmatic partner with which we work closely. Eager to experience what some call the promised land of innovation, we jumped at the opportunity.

For two days, we attended roundtable discussions covering a range of programmatic topics spanning from ad security and viewability, to mobile device tracking. We were amazed by the level of intelligence and drive to innovate, evidenced by the group of 50 young, eager new hires attending orientation.

Anyone working in the digital advertising space would tell you programmatic advertising has profoundly impacted the marketing landscape. While this shift has provided brands with great opportunity, it’s also become difficult to navigate. In attempts to alleviate some of the challenges, we’ve compiled a list of 6 best practices for programmatic adverting.

 

6 Best Practices for Programmatic Advertising         

1. Integrate prospecting and retargeting efforts – Programmatic advertising works best when it’s allowed to combine upper- and lower-funnel efforts. Delineating funnel objectives can have a negative effect on performance and should be avoided if possible. Integration allows for maximum data capture, driving faster learning and optimization.

2.  Collect pixel data on every page of the advertiser’s website – Allowing for more data capture drives faster optimization and more efficient impression buying.  Programmatic tactics work best when the maximum amount of data is provided.  While capturing data from conversion pages is important, the systems can also learn from the behavior of users who do not convert, which in most cases is just as valuable.

3. Relax your constraints – Programmatic tactics perform best when they are free to optimize without constraints. Limiting the initial audience to a specific demographic slows the optimization process as less data can be collected. There may be users who convert that fall outside of the target audience- allowing the systems to test this audience will identify either a new group that’s likely to convert or a group that can be ruled out. Either scenario is a useful insight.

4.  Test multiple creative variations in real time – Just as programmatic tactics work best when they are free to analyze many different audience segments, allowing for creative/messaging optimization can vastly increase performance. When optimizing in real time, small variations in creative can greatly impact performance. Allowing the algorithms to make these optimizations based on the millions of data points they collect is the most efficient way to ensure maximum performance. The reality is that these algorithms are able to identify optimal messaging much more efficiently than humans, eliminating errors we sometimes don’t catch.

5. Allow the algorithms to make daily optimization decisions – Marketers by nature, carry a very hands-on mentality. We are used to constantly checking in on our campaigns and making adjustments when necessary: shifting targets, adjusting budgets, changing creative messaging. While this is necessary for traditional advertising tactics, it can be counterproductive in the programmatic space. The systems are able to take environmental variability into account and adjust at the most opportune time. Changing or shifting campaign initiatives can cause models to reset and decrease efficiency.

6. Embrace view-through conversions – View-through conversion is a topic we discuss frequently here at Backbone Media. If we as marketers are succeeding in our profession, a consumer’s path to conversion should be filled with our advertiser’s messaging. Whether it be a display ad, an FBX in feed post, a search result or an email, each play an integral role in driving users to convert. For this reason, it makes little sense to attribute the full conversion to the last touchpoint or click that the user executed before purchase. Ignoring view-through eliminates the value on any top-funnel initiatives. While it’s tempting to take this approach, the reality is it oversimplifies attribution models and can have far reaching negative effects on marketing strategies.

 

The programmatic space can be difficult to navigate. Feel free to leave any further questions in the comments section or reach out to us directly.

Source: www.1daybanner.com

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5 Point Film Festival and Backbone POV

“We need better online content.”

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“We need to do a better job of telling our story.”

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“Man, putting together integrated media is complex.”

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Just as  manufacturers raced to secure the responsibility to control their own brand editorial and ID, they have oft struggled with the work that comes with the editorial process. This statement stands simply enough  – let alone if you factor integrated media adding units of video, interviews, b-roll and imagery to a well crafted story.

It is pretty clear – if content is king, the jury may still be out as to if content marketing is even a long lost prince.

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Content marketing is 88% less effective than public relations

One thing is for certain. As brand story and the use of video has exploded in terms of popularity and consumption  – inspired story telling is at a premium.

Enter the 5 Point Film Festival this coming weekend April 24 – 27 and another Backbone POV.

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“5 Point celebrates films and adventures that inspire people,” explains Sarah Wood, executive director. “In today’s social media-driven world, the demand for authentic storytelling is greater than ever. Our festival is at the nexus between outdoor brands and their core consumers. Our partnership with industry’s leading brands, from Patagonia, to Outside Television, Polartec, Black Diamond, Sierra Nevada, NRS, Big Agnes, Osprey, evolv, Whole Foods and others, speaks to the growth and opportunity we’ve had with 5 Point.”

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The Backbone POV will take place Friday, April 25 at 2PM at Steve’s Guitars in Carbondale. The panel discussion will discuss Inspiration, Creativity and Cause and will feature special guests Travis Rummel from Felt Soul Media and director of Damnation,  Alexandra Fuller creative director from Struck and writer/producer of award-winning short Sister Wife, Brian Emerson from Outside Television and Niko Jager creative director of the European Outdoor Film Tour.

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Past POV discussions have centered around many of the macro themes surrounding multi media platforms with prior attendees including Jimmy Chin, Renan Ozturk, Chris Davenport, Mary Anne Potts, Jeremy Collins, Semi-Rad Brendan Leonard, Beda Calhoun, Pete MCBride, Anson Fogel, Dave Amirault, Matt Hobbs, Lou Dawson, Shannon Ethridge, Kelly Cordes, Chris Kalous and many others.

For a list of upcoming films go here. See you at 5Point and the POV!

*Images from previous POV events in 2012, 2013 include (not complete) of Andrew Bisharat, Jonathan Thesenga, Mavis Fitzgerald, Chris Kalous, Kelly Cordes, David Lama, Shannon Ethridge, Jimmy Chin, Dirk Collins, Christian Knapp, Kristine and Allon Cohne, Ian Anderson Mike McCormack, Josh Nielsen, Jeff Johnson, Beda Calhoun & Casey Sheahan.

 

 

 

 

Bringing Value of High Impact Digital

So often, despite brand KPIs, digital marketing success boils down to conversions.  Did they click my banner?  After they clicked, did they immediately buy my product?

But, is a digital impression worth more than a click and more than a post-click conversion?  When trying to change a brand perception, launch a new product or simply making the brand introduction to the consumer, the value of an impression goes well beyond immediate actions taken.  The challenge is, when all of this data is available, how do we exercise the self-control to remain true to upper-funnel objectives?

Sure, high impact units (large canvas overlays, site skins, pushdown windows, etc.) often “perform” well when looking at total clicks.  But, how do they deliver on true brand objectives?  Thankfully, Ipsos ASI, in partnership with Undertone, recently validated the power of a high impact digital impression.

The study monitored campaigns for Special K, Macy’s, Nair and Volvo (CPG, Retail, Auto).  Each campaign included full screen takeovers, large canvas display (IAB Rising Start units) and skins.

When looking at unaided brand recall and ad recall, high impact display significantly out-performed a standard 300×250 banner.   The full-screen takeover delivered a 124% higher unaided brand recall than the standard banner.  Makes sense that a giant, standout placement would have better brand recall.  But, what is the deeper benefit?  Well, turns out that high impact ads are also more likeable than standard banners (30-49% more).  People like the uniqueness and entertainment value, and they find them worth sharing with friends and family (many of these units will include social elements and video).

Is high impact display the right tactic to fill your site’s shopping carts?  Maybe not directly.  But, is it a valuable tactic to move the needle for your brand?  Absolutely.

The full study, as well as other insightful white papers, can be downloaded here.  Thanks to our friends at Undertone for their valuable work in digital research!

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American Pistachio Growers Dinner with Jeremy Jones

1479517_10152084647760530_214732620_nThe American Pistachio Growers (APG) hosted an intimate dinner with professional big mountain snowboarder and APG athlete ambassador Jeremy Jones last month in Boulder with leaders in snow sports media.

In an effort to tell a deeper story with active lifestyle media on the growing partnership between Jones and the American Pistachio Growers, the Backbone Media team worked with culinary experts at Frasca Food & Wine on Pearl Street to craft a pistachio themed evening full of great food and conversation.

Boulder continues to lead the country as a hub for active interest media. Frasca was the ideal venue to bring this community together with APG nutritionist Becci Twombley and Jeremy Jones for conversations regarding snow sports and nutrition. Courses including a raviolo with celery root, ricotta, black truffle and parmesan reggiano, capesante with scallop, cauliflower, blood orange and pistachio and finally crostata di fragile – a strawberry tarte with pistachio gelato.

University of Southern California nutritionist Becci Twombley spoke about modern sports nutrition – and the importance of pistachios – for winter sports athletes. Jeremy discussed his recent trip to Nepal and filming the third installment of his film trilogy with Teton Gravity Research. Jones stressed the importance of proper nutrition and his “recovery window” when he returns to base camp after extended periods filming in the most remote locations.

Twelve members of the media attended, representing titles such as Snowboard Magazine, Humber Sport, the Atlantic, the Associated Press, ESPN, Mountain Magazine, SKI/Skiing, Men’s Health, Men’s Journal, Outside Magazine and the Active Interest Media House. We were psyched to reconnect with old friends and make new acquaintances as well!

Becci Twombley & Jeremy Jones

Becci Twombley & Jeremy Jones

Sue Jotblad from American Pistachio Growers, Kim Beekman from SKI Magazine and Sharon Houghton from Active Interest Media

Sue Jotblad from American Pistachio Growers, Kim Beekman from SKI Magazine and Sharon Houghton from Active Interest Media

Doug Schniztspahn from Elevation Outdoors Magazine & Radha Marcum

Doug Schniztspahn from Elevation Outdoors Magazine & Radha Marcum

Marc Peruzzi from Mountain magazine & Jayme Moye

Marc Peruzzi from Mountain magazine & Jayme Moye

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Chris Thompson & Sam Bass from SKI Magazine/ Skiing Magazine and BackboneMedia's Amanda Boyle

Chris Thompson & Sam Bass from SKI Magazine/ Skiing Magazine and BackboneMedia’s Amanda Boyle

By: Amanda Boyle

Those Who Tell Stories Rule the (PR) World

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The PR landscape is rapidly shifting as consumers become product reviewers and brands become publishers. As technology and the prolific use of social media has made it easier than ever for brands to connect directly with consumers, some have questioned the need for public relations and some have even dared question the value of traditional media in the compressed news cycle.

Despite the fact that the communications path from brand to consumer looks drastically different than it did 5 years ago, I’d argue that more than ever, brands need public relations to craft, tailor and distribute their messages across all media channels.

For brands, being able to convey their story in a way that solves a problem, informs and entertains its audience is increasingly important. Stories give customers a reason to invest emotionally in a brand that goes beyond the aesthetic or mere functionality of its products. A brand’s stories merge the people at the heart of the company with the how and why that went into the finished product.

Brands can tap into their communications and PR teams to craft and distribute these stories on their behalf as part of an integrated communications strategy that feeds the purchase funnel. In fact, public relations pros are often the people best equipped to craft such stories, since they already intimately know the audience and how the customers talk about and where they connect with the brand.

This approach, which can been called “PR direct to consumers,” delivers stories unfiltered by the media that align the brand’s relevant expertise, understanding or experience in a certain area with the needs and interests of its audience. Known as “the sweet spot,” this intersection at which the audience learns something new or is entertained by the story, helps the brand gains relevancy and authenticity.

Five Keys to Successful Storytelling

1. Choose a specific topic. Rather than cram too many ideas or topics into one story, take each key message and map out two or three different angles around each message. If you end up with a dozen different story ideas, narrow the list to the best ones to craft into stories.

2. Consider your audience. Take into account where the story will be posted and who will read it, are you speaking to tech heads? Parents? Sports fanatics? Millennials? Can you use specific jargon or terminology that will resonate with these readers? Be especially cautions when using slag; any mistakes there can draw ridicule.

3. Consider the platform through which the story will be shared. A blog post should be concise and include subheads, a bullet list or step-by-step solution. In many instances blog posts are 500 words or less. However, if placing the story on the Huffington Post, for example, a more long-form essay is acceptable. If sharing the story on social media, can the story’s essence be summed up in less than 140 characters or a short Facebook post?

4. Just as the most critical part of any press release is a strong lede, story-based content must also immediately grab the reader’s attention right from the first sentence. What will he learn or gain from giving this story his attention? Give him a reason to keep reading beyond the first paragraph.

5. Avoid the sales pitch. Keep any and all marketing speak out of the story and save the call-to-action or sales pitch for your other communications pieces. Nothing spoils a flow of a good yarn than entertaining narrative that lurches into sales copy that reads like it came from a catalogue or e-comm website.

Examples:

Black Diamond CEO Peter Metcalf in “Driven”

Running Form tips on Newton Running’s Blog

Inside Boa Technology video:

Backbone Media – Fall 2013 Charge

Harry Gates Hut, Sawatch Mountains (Sept. 10th & 11th)

Please enjoy some photos from the recent Backbone Charge* – high country cragging at Lime Creek, fly fishing, biking, mountain games, and a massive bonfire. Thanks to a remarkable CO resource 10th Mountain Division Hut Association for the Gates Hut, La Sportiva for the loan of demo shoes and of course the entire Backbone team for general awesomeness. — Penn

*Backbone Charge is a semi annual gathering. We do not ‘do’ retreats we charge.

 

A complete gallery of photos can be found on the Backbone Media Facebook Page

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What is Native Advertising?

What’s all the talk about native advertising?

Dan Vaughan from Competitor Group explains native ads and the trend toward real time video.
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We were excited to share the Competitor Group POV following OR. That sparked a great conversation internally at Backbone. Below we’ve included our thoughts and an update:

“Native” comes in all shapes and sizes, when done right it is that perfect alignment of advertisers’ and publishers’ message. It should be seamless, and it should not be obvious. The voice between brand and content should be cohesive.  We think some of the following examples do this well, and others have a ways to go. It is up to you to decide what is going to be the best fit, and we invite responses and discussion regarding this emerging hot topic.

Backbone Associate Media Director Page Kelley recently put together some links native advertising to spur discussion within the media team. “Native” comes in a lot of shapes and sizes, so these kind of run the gambit. If you have additional comments or questions please feel free to reach out to Page at the link above.

  • The Yahoo! homepage recently launched native placements.  These placements are designed to look like any other article, but they are shaded in yellow to indicate that they are sponsored.
  • Wired and Olympus cameras:  this example is much more seamless and a less obvious integration.  Wired and Olympus partnered on their Spring Camp edit, which featured a variety of different products and content.  The catch was, all the photos used in the section were taken with an Olympus camera.  The banners within the section are no longer Olympus, but for a program like this, they would typically have 100% share of voice at the time of launch.  Their logo remains, as does the subtext below the fold that all photos were taken with Olympus.  This is a much more subtle approach to “native”/content integration.
  • Buzzfeed:  Probably the most widely referenced when it comes to native.  Just go to their homepage, and you will find (similar to Yahoo approach), sponsored stories shaded in yellow for brands from Slimfast to Virgin Mobile to Levis.  The idea here is for a brand to link themselves to highly shareable content that somehow ties to the messaging and personality they want to communicate.  i.e.:  Levis and creativity.
  • Afar:  This is an example of placement that doesn’t perfectly fit in the definition of “native” as easily as the above cases.  This is more about the actual banner placement, rather than the brand contributing to the content on the page.  Afar is able to take a standard 300×250 banner, and help it look like a piece of content within their site.  When the brand messaging aligns with what readers are already consuming, this can be highly effective.  Their homepage layoutis a great example of this tactic.